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The Elden Street Players
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| Board Members (Term Exp) | Officers | Other Roles |
| Jeff Boatright (2007) | President | Technical Director, NVTA Rep |
| Kathryn Brais (2009) | ||
| Michael Broussard (2009) | Mailing List Manager | |
| Richard Downer (2008) | ||
| Josh Doyle (2009) | ||
| Richard Durkin (2008) | ||
| Melody Fetske (2008) | Treasurer | |
| Gina Gabay (2009) | ||
| Mary Ann Hall (2007) | Artistic Director of ESP Theater for Young Audiences | |
| Todd C. Huse (2007) | Secretary | Artistic Director, WATCH Rep, and Webmaster |
| Rich Klare (2009) | Executive Producer, Community/Town Liaison and PR Manager | |
| Cathy Rieder (2008) | ||
| Michael Schlabach (2008) | ||
| Dave Sinclair (2008) | Vice President | |
| Marty Sullivan (2007) | ||
| Les Zidel (2007) | ||
| Other Appointed Positions | ||
| Publicity/Playbill/Postcard Committee | Rich Klare, Jamie Grace, Josh Doyle, Virginia Kohles | |
| Audience Development | Rich Klare | |
| Fund Raising | Todd Huse, Richard Downer, Les Zidel, Rich Klare, Melody Fetske | |
| ESP Theater for Young Audiences | Mary Ann Hall, Richard Durkin | |
| House Management | Dave Sinclair | |
| Box Office Management | Melody Fetske, Rich Klare, Jeff Boatright and Todd Huse | |
| Properties Management | ||
| Costumes Management | Judy Whelihan |
The Elden Street Players were founded in 1988 and have been committed to providing affordable, high-quality theatrical productions. As a community theatre, our all volunteer staff and casts are continuously striving to push the limits of what is possible in our intimate "black box space" at the Industrial Strength Theatre.
The Elden Street Players are members in the NVTA theatre alliance and the Association of American Community Theatres (AACT). ESP is also a charter member of the Washington Area Theatre Community Honors (WATCH) program dedicated to the promotion of interest and involvement in community theater, as well as recognizing outstanding artistic achievement.
"Leave it to the exciting artistic direction of The Elden Street Players to tackle
a monumental effort such as this... The Grapes of Wrath -- mustering all their
theatrical energy to brighten the community stage." -- Michael Birchenall, The
Times Community Newspapers
"Our Town is powerful. Elden Street Players steps
up once again and delivers a production that feeds the life of our
souls." -- Michael Birchenall, The
Times Community Newspapers
"With bold intentions, Elden Street Players -- with 'The Alchemist' -- has once again pushed the community theatre experience beyond the safe formulas for building audiences. A full house on opening night showed there is a demand for intelligent theatre." -- Michael Birchenall, The Times Community Newspapers
Our board of directors includes a mix of artistic and business talent with a broad range of experience in theatre. The company is led by President Jeff Boatright working with Artistic Directors Todd Huse and Mary Ann Hall (Theatre for Young Audiences).
If you are not familiar with Elden Street Players, please come see a show. We guarantee you will keep coming back. This website also contains several production archives that will give you a glimpse into what we produce.
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| Henry V
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| The Mystery of Irma Vep
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| Dinner with Friends
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| Schoolhouse Rock Live!
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The Elden Street Players sprung up from efforts to stage the "Yulefest" with the Herndon Community Singers in 1986. As Herndon's Community Theatre project, the Players are all volunteers dedicating hundreds of hours to produce and stage serious dramas for the local community. The Players have a commitment to produce intimate dramas (and, occasionally, original works) not usually seen in community theatre.
The first season began with an original work by Herndon's Nick Rose, enrolled at the time at James Madison University. Nick's "Death by Direction" was premiered at the Herndon Community Center. This audience participation murder mystery was followed by the dark comedy, "House of Blue Leaves" directed by Donna Huchel and Al Straughn. The next play was about Northern Ireland. "Freedom of the City" was staged in a warehouse before its redesign and renaming as the Industrial Strength Theatre. "Freedom" received critical acclaim and played to sellout audiences. Les Zidel and Jean Goldsby collaborated with a joint Players and Community Singers' production of "Scrooge" which played to almost one thousand people at the Community Center.
The first summer season was highlighted by two plays presented at the NVTA One-Act Play Festival attended by 18 theatre companies from the Washington area. The Elden Street Players won three of nine awards with their production of Woody Allen's "God"; more than any other group. The Players also presented an original play by Diane Ney, a rising Washington playwright, "How I Spent My Fortieth Summer Vacation."
The Players received a grant from the Virginia Commission for the Arts as a new and emerging arts group, and were also funded through a long term generous grant from the Herndon Rotary Club. The Players hope to help other performing arts groups in the area through their efforts to create with the Town of Herndon the Industrial Strength Theatre.
In October 1989, the players staged the inaugural presentation at the Industrial Strength Theatre with their production of Lorraine Hansberry's "The Sign In Sidney Brustein's Window," directed by David Fallen.
The Industrial Strength Theatre is one of the very few municipal experimental theatres in the United States. Most "black box" theatres are found either on college campuses or in converted buildings of the inner city. The Elden Street Players "liberated" this warehouse from other industrial uses in November, 1988 when they staged "Freedom of the City" inside the concrete space. Following almost a year of design and construction phases, through public funding of the Town of Herndon, the Virginia Commission for the Arts, and the Elden Street Players, the Industrial Strength Theatre was dedicated on October 19, 1989.
You might notice that there is no real stage to separate the audience from the players. This hybrid design combines the best of an open arena stage with the single direction focus of a traditional proscenium stage. This flexibility is made possible by steep modular platforms specially made for this theatre's seating. The steep "rake" means that every seat is unobstructed and no raised stage is needed. The Elden Street Players designed the lighting grid over the performance space which provides countless angles for spotlights, all controlled by an upgraded computerized board inside the control room. None of the nearly 120 seats are further than 20 feet from the performance space, this provides for apparent "inside the set" intimacy.
The Industrial Strength Theatre is operated by the Town of Herndon through the Department of Parks and Recreation. While this facility is designed for the performing arts, it is available for rental by outside groups, organizations, and individuals. The Elden Street Players provide technical and artistic support for events in the facility by arrangement through the Department of Parks and Recreation.
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Send mail to "webmaster @ eldenstreetplayers.org" with questions or comments
about this web site.
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